How did you link up with Akon?Akon came to Cameroon to do a concert and the VP of A&R of Konvict Music at the time, Fotemah Mba (T’Mah), came with him. T’Mah is originally from Cameroon. He met Je Wanda Magazine founder Celine Fotso and expressed an interest in meeting me. Celine Fotso arranged a meeting between us, so we made a trip to Douala to see him. We met him at this hotel and we played him our music for him. That was a day after the Akon show.
Did he know your music?I don’t know if Akon knew my music. But I was a fan of Akon’s because I grew up listening to him. A lot of African kids of my generation grew up listening to Akon’s music.
I came to him with the beat and the idea for “Shine the Light.” [The song] was going to be the opening track for Mboko God. I played it for T’mah and he liked it. He asked if he could give it to Akon to listen.
What was the inspiration behind your beat on “Shine The Light”?The guitar line and the vocal sample were written and composed by me. The vocal sample was inspired by the way the church choir sings in my village. I wanted it to have that feel. The vocal sample I composed constitutes of three vocalists who contributed their voices: Daddy Black, Reniss and myself. I composed the guitar melody and Mt. Cameroon (aka Fracoise) replayed it.
I also contributed the lyrics for the chorus. That chorus was part of the song and instrumental track I sent. Akon did the verses after I sent the song. I wasn’t in the studio with him. It was done remotely, but we talked on the phone a couple times.
I’m very happy that someone I respect as much as Akon appreciates and supports my work. It inspires me to create more, and encourages me to continue to use African influences in my music.